Selina, cold, the coldness of hell. Her and genus Rosa shivered in the winters pivotal wrath, perched underneath the bridge. Rosa clenched Magda to her breasts with fear, save Magda was sheltered by the shawl. Selina would hold the infant on occasion, but she was often avaricious of Magda. Selina was only fourteen and needed the warmth of a shawl to hold dear her from the world that had thrown her out. It was dusk, but under the bridge, the glorious shades of sunset were suppressed by the thick black gage rising from the nearby factories. The city as a veridical was vibrant and lively lights off on, streets bustling with the harmonious notes of toilet moving and working pleasantly. Selina, Rosa, and Magda however, beneath the bridge, didnt know or care. The only life that Selina and Rosa knew before the bridge was virtuoso(prenominal) of harlotry, drug dealing, loneliness, and poverty. Selina and Rosa lived with a friend in his apartment, until he was shot in a driv e-by. They needed money in particular for supporting the baby Rosa would have. It had gotten in that localisation of function by rape, but Rosa wanted to keep it nonetheless. They turned again to prostitution and found themselves in trouble with a man named Mario. Mario peril to kill Selina one night, and the next day, her and Rosa fled to beneath the bridge.
They had lived there ever since, finding scraps of food to satisfy Magdas runty hunger, and occasionally to satisfy Stella and Magda as well. But Magda had the shawl, and that make all the difference. The shawl was magic. mayhap it would save little Magda f rom suffering the akin fate as those who ra! ised her. Perhaps not. The newborn sucked the shawl, and it unbroken her safe from the factory smoke, cigarette smoke, noise of the others residing under the bridge, and the looming bane that Mario would find Selina and Rosa. If you want to get a full essay, allege it on our website:
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