Discuss the Art Photography of the British Linked Ring Brotherhood :: essays papers

Discuss the Art Photography of the British Linked Ring BrotherhoodThe term Art Photography was not really recognised during the early days of Victorian photography when the camera was employed and regarded as a medium for purely recording and for aspect at objects and considered a scientific device. Art Photography was the name that was addicted to the kick the bucket asseverated by the very few photographers who found themselves interested in producing photographs in the late 1880s that had other qualities in mind than retributory recording information like P.H.Emmerson who took pictures that conveyed mood and feelings. The development of photography as art took significant strides forward with the idea of pictorial photography which emerged nigh 1896 when the Victorian writer and photograopher Henry Peach Robinson identified the camera as a tool for expression and creativity. More simply he argued powerfully that it could be an artistic medium, combined with the dark room, equal to the hand and the brush. His work reflected his ideas about pictorialism which were based on the idea that a photographer could produce a picture that reflected the expression of an individual and an artist and in doing this they buy the farm a particular signiture or mark of the artist that the content or style would suggest. He achieved much of his pictorial work through combination printing, a dark room method of developing several seperate images and corporate trust them into one image that appeared to be a single photo, a originative process that is the forefather of todays universally recognisable com droping machine features cut and paste. One of his most effective and striking photographs and an slight example of Robinsons skilled method of combination printing is fade Away where the image is so smooth and so perfectly put together, in particular the shadowy figure at the window, that you cant imagine it being made up of five prints. The picture in any cas e conveys a very real sense of death and with the knowledge that this is a combination print it comes across as though Robinson has assembled his characters and has arranged them in this tableaux to express his idea of death. There were many like minded individuals life story in London and some abroad at this time and it was decorous a growing trend within photogrophy to form a order (an early model for the Ring was the sette of odd volumes) with others who shared the same views.