The Romantic Period altered the way in which harmony was perceived. melody became an art form in its own slump and it no longer needed to be indite for purely practical uses. Music was brought to the mass and the people prized what was now operational to them; thus the public concert was borne, and with it, virtuosity.
The romantic period skint away from the constraints and rules of the classical period - the ideals of balance, proportion and disciplined expression, in favour of more radical kinds of expression, seeking out every last(predicate) that was new, curious and adventurous; cherishing freedom of expression, movement, passion and fantasy.
The tiny easygoing piece and the brief lyrical song were forms that had little significance during the Classical period, hardly took on the highest of importance to the romantics. On the new(prenominal) hand, the moderate length of the classical symphony and opera was hugely extended, as seen by Mahlers symphonies and Wagners operas. The creations of the romantic artist were emotional in character rather than guided by structural rules.
Emotion became more urgent and intense as form became freer and tone color richer. Remaining mainly tonal, Romantic music became more chromatic, the lyrical structure remained periodic but phrase structure became slight regular. Music became more poetic than abstract and more lyrical than harmonic.
The romantics did not see that music needed to be written for a specific practical purpose; it formed a legitimate art form in its own right. Music had always laddered an important part in peoples lives, but it had been mainly used in religious ceremonies and by aristocracy. However, in the romantic period, music became attainable and it became popular; so people wanted more and more. Ordinary people now began to play music at home as well as going to concerts...
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