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What fascinates me much, much more than anything else in my métier is the portrait, the novel portrait . . . I should like to do portraits which will come along as revelations to people in 100 years time. - VINCENT caravan GOGH, 1890 What could be a more disturbing twain-base hit than the superstar of Vincent train Gogh as the wanderer? Of his time worn bulge(p) in p overty and isolation he sought to armed service those around him, and perhaps to find himself in the process. Picture Vincent as he gives his first Sunday sermon in Isleworth, away(p) of London. He was so operateionate about his beliefs, except neer really connected with the religious world. His sermon must ache really been roughthing.

caravan van Gogh traveled to Brussels on foot to seek counsel from Pastor Pietersen at the evangelical college. He had no more than the a few sketches and the dress on his back, notwithstanding he needed guidance in his overwhelming desire to help some others. new wave van Goghs wanderings were not always religiously motivated. Another great image was when Vincent walked 70 kilometers to Courrières, France to see Jules Breton, a painter he admires. When he go oned Bretons house, Vincent was too timid to knock.

Although vanguard van Gogh is known for his lunacy and his close kind with his chum, his relationship with other people is enthralling as well. His relationships with women be very captivating. The three main women in wagon train van Goghs tone were the prostitute, Sein, and his cousin, Kee.

Van gosh and Sien are both portrayed as lonely and desperate people. For some time, however, Van van Gogh and Sien brought some happiness into each others lives. At the same time, Sien has always waited fairly cold. Is it true? Maybe not-- thithers minute bona fide information available about Sien, about her life and her feelings. What happened to her afterward she p inventioned from Van gogh? It is said that she remarried but ultimately committed suicide by drowning. She played an important component in Van Goghs life.

There are many maven events, which stand out in Van goghs life (the ear-cutting is, of course, the one that intimately people are familiar with). Another specific moment find is when Van gogh con drives the parents of his cousin, Cornelia Adriana Vos-Stricker (Kee). Van goghs love for Kee is unrequited, but he wont be turned away. Van gogh argues unsuccessfully with Kees parents and then, in order to prove his determination, holds his hand over the funnel of an embrocate lamp, intentionally burning himself. Kees engender quickly defuses the situation by simply blowing out the lamp, but nevertheless its an incredibly goodly image.

here is another crucial point in Van Goghs life. He was a passionate, often eccentric artist. The idea of Van gogh arguing art theory with other painters in Montmartre is a very strong image, but one of the just about powerful and moving images come from his time in Arles. Here is Van gosh: deeply hopeful that his dream of establishing an artists community in the south would soon come true. One of Van goghs most personal works of his Arles period is painter on His Way to Work. Its a very touching image--Vincent as the lone painter, trekking along the sun-scorched roads of Provence--looking for the right spot among the cypresses to repose up his easel. Theres as much of the real Van gogh in this small sketch as there is in any of his more famous self-portraits.

Its impossible not to be moved by the incredibly turbulent final years of Van goghs life. Picture it--someone with a involved appreciation of nature and beauty one moment, and a apparent madman the next. The survive images of Van goghs life never fail to move anyone. Van gosh is dying from his self-inflicted gunfire wound and sp endings his last few hours on earth with the most important person in his life, his brother Theo. Theo had always been there for him--without Theo, there wouldnt have been the Van gogh we know directly (to say nothing of his works). There they are, the two of them--Theo climbs into bed with Vincent, cradles his flip and Van gogh says: I wish I could pass away like this. Its an incredibly powerful image (mind you, other accounts tell us that Van goghs last words were either I wish it were all over now or The sadness will never end--the image is the same). The burial is equally moving. There is Van goghs coffin, covered with sunflowers and surrounded by a radical of people who knew him and cared for him.

Here is a chronology of Vincent Van Goghs life from the day he was born(p) to the day he died.

1853- Van gosh is born on March 30 in the village of Groot-Zundert, Holland. His parents were Theodorus Van Gogh and Anna Cornelia nee Carbentus.

1857- Theo, Van gosh brother, is born 1869- After finishing school, Van Gogh is apprenticed to Goupil & Cie, art dealers from genus Paris.

1873- Van gosh is transferred to the London branch of Goupil & Cie where he visits the museums and galleries to further his cognition of art.

1875- Van goghs devotion to his bible studies starts to reach an obsessive level.

1876- Van gosh takes a new job as a teacher and curate with Reverend T. Slade Jones, a Methodist minister. On October 29 he delivers his first Sunday sermon.

1878- Van goghs formal religious studies come to an end, but determined to pursue a religious vocation, he travels to the Borinage, a coal-mining district in Belgium.

1880- Van Gogh abandons his religious pursuits and devotes himself to photo the miners and poverty-stricken weavers.

1881- Van gosh visits Theo in Etten, later in the year, has his advances rejected by his cousin Cornelia Adriana Vos-Stricker (known as Kee). He spends time with the painter, Anton mauve who introduces him to watercolors. The situation with Kee causes his psychological state to deteriorate and his relationship with his father also begins to crumble.

1882-Van gosh meets Sein and they move in together.

1883- Van gosh ends his yearlong relationship with Sein and pursues a life dedicated exclusively to his work.

1885- Van goghs father dies in March. Paints what some claim to be his first great work, The Potato Eaters.

1886- Van gosh withdraws from Ecole des Beaux-Arts because he rejected many of the principles he was taught. He moves to Paris and moves in with his brother Theo. Van gosh starts beginner classes at the Anthwerp Academy. He doesnt fit in, so he leaves.

1888- Van Gogh leaves Paris in February and moves to Arles. He paints some of his best work in this year. After a failed attack on his friend, Vincent cuts off his left(a) ear lobe, wraps it in newspaper, and presents it to a prostitute at the topical anesthetic brothel. Shortly after that he was hospitalized and Theo comes to Paris to make plans for his brothers care.

1889- Van gosh leaves the hospital on January 7. After distress frequent mental breakdowns, his brother helps him to enter Saint Paul-de-Mausole mental asylum. His paintings starlike Night over the Rhone and Irises are exhibited at the beauty parlour des Independants in September and in November.

1890- Theos wife gives birth to a baby boy on January 31. They style him Vincent Willhem. Van gosh has a serious attack in February that lasts for two months. He was put under the care of Dr. Paul Gachet. Van gosh began to paint with amazing energy and produced over 80 paintings in his last two months. On July 27, Van gosh takes a walk, and shoots himself in the chest. He died early in the morning on July 29. The funeral was held presently after that with dozens of sunflowers covering the coffin.

In the painting Starry Night the main subject matter in this grouchy work is the sky and the stars swirling around. There is also a focal point on the houses and the big tree that was put in the front of the painting. The texture of this painting is an oil paint on canvas.

The surname Starry Night interprets the painting very well. The painting shows how there are a lot of stars in the sky and how they seem to be swirling around and around. There are many swimming lines in this painting, which makes it seem really calm. There are also some diagonal lines that give the painting energy. This particular painting is balanced in an asymmetrical manner. The painting seems to be balanced, but it is not the same on both sides. It has unlike shapes and different colors on both sides. In the end, however, it all comes out looking as if it is evenly balanced. Hulsker, Jan. Vincent and Theo Van Gogh: A Dual Biography; Fuller Technical Publications; 1990.

Tralbaut, Marc Edo; Vincent Van Gogh. Viking, 1969.

Sweetman, David; The Love of Many Things: The Life of Vincent Van Gogh; Touchtone, 1990.

www.vangogh.com The attack INDIANA Teaching and Learning Center, Vincent Van Gogh. Web foliate

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