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Friday, April 5, 2013

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Quiz February 1999 Art 101- Internet Http://www.sagemore.com/cot.html Http://www.biggallery.com/art/byimg/A09Y9000.asp The nineteenth century produced a great number of art working from such mechanics as Pierre August Cot and Pierre-Auguste Renoir. ii major fundaments in these works include images fabricated from the material world and mirror images of every daylight situations in life. Cot produced a pair of star struck lovers sharing a significance together in a hidden dugout wrap by trees and shrubs while Renior recreated a midsummers day with a family enjoying an outing downtown. Each of these painting possesses an iconography in which the artist has contrived within his mind as the main theme to his work. This image is not intended to influence the viewers individual observation, but to embellish the works fussy symbolism.

Cot was a wonderfully gifted painter who apply remarkable use of proportional status when creating a flattened painting. The only disadvantage about Cot is that his name is not well known. When this occurs, an artist and his work lack the media voice it inescapably to posses in allege to advance among the inflections of those who do the observing. Therefore individual(prenominal) information is difficult to come across. His work can be classified under representational art. This form of art uses inborn images that look very much like images in the internal world.

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His portfolio of artwork has not received the noteworthy recognition it so deserves.

The Storm, created in 1880, is his only painting to have received laudation from the world of art. To showcase another masterpiece completed by Cot, I chose to compare and contrast the composition of Le Printemps . This was as well created in the same era and was influenced by images fabricated from the substantial world. The composition of this painting is quite complete; it includes actual lines, original shapes, and the illusion of light.

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