Dee is characterized as a controlling sibling who always wants to be the center of attention and is often referred to as the irrational child. Dees child Maggie is a shy girl who was the victim of a horrifying house fire that left her with unpleasant burns. The two sisters argon polar opposites in the way that inner beauty meter outer beauty is a factor. Dee of course has the outer beauty, as where Maggie is the one with the inner beauty. A reader condemns the older, more mundane sister, Dee as shallow, condescending, and manipulative, as overly concerned with style, fashion, and aesthetics, and thus is abstracted a true under stand of her heritage (Farrell 1). Mama is the storyteller who is in the middle of both of the sisters. Mama admits that Dee was a mistaken child and falls more kin to Maggie. Mama is characterized as a big-boned woman with rough, man-working hands (Walker 65). Although nothing is verbalise about Mamas husband, it is obvious that Mama has taken over the stemma of keeping the house and property up. Walker says that the two daughters mirror her own internal struggles as Walker had when she was a child. (Washington) end-to-end this essay, I will prove that Dee gets caught up in stuff possessions that will, in turn, lead to her downfall.
Dee never liked Maggie, and Maggie was always abominably afraid of Dee. The reader understands Maggies fear when they ironically catch the pure tone that the house was set on fire by Dee because she forever and a day talked about how much she hated the house. Dee, I see her standing off under the sweet gum tree she use to dig gum out of; a look of assimilation on her face as she watched the last dingy hoary board of...
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